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THE WORK
Six Collections.
One Intention.
Each collection is a different way back to yourself. Somewhere to return, so you can meet whatever comes next. The question is not which is most beautiful.
It is which one meets you where you are and what you need from it.
How to find your collection
Read the short description beside each collection below. Not for what appeals aesthetically, but for what resonates. The collection that is right for your space is the one where the description names something true about how you want to feel inside it. When you find it, click through to see the individual pieces and the stories behind each one.
MOMENTS OF CALM
01
Botanical Intimacy.
The detail that stops you.
For the person whose mind runs fastest in the spaces that should be quietest.
Five close-ups of single botanical subjects, photographed in the few minutes the light was doing something unrepeatable. They don’t ask for your attention. They give your eyes somewhere quiet to land.
Return to clarity and a grounded sense of yourself by learning to look closely again.
5 PIECES · EDITIONS OF 10
RAINFOREST REVERIE
02
Ancient quiet.
The stillness of time.
For the person who needs their space to feel like something has been here longer than they have.
Twelve photographs from the ancient temperate rainforest of Tarra-Bulga National Park, where the quiet is a presence older and larger than you. In a room, they bring a sense of scale that settles the urgency of the day.
Remember that you belong to something larger than yourself.
12 PIECES · EDITIONS OF 10
AUTUMN ELEGANCE
03
Trust through change.
Beauty in transition.
For the person who knows what it feels like to be pushed into someone else’s pace.
Five photographs made in a single frosty hour on an early autumn morning, close to home. Not about letting go, but about meeting change with the same composure the season shows every year.
You don’t need to know what’s coming to trust yourself to meet it.
5 PIECES · EDITIONS OF 10
"The work I make is for people who already know what stillness feels like. They just can't find it in their own spaces. These collections are an attempt to bring it there."
SOLEIL
04
The bookends of the day.
And what is let go.
For the person who knows how to stop for a sunset, and rarely gives themselves permission to stop for anything else.
Eight prints made in the five-to-fifteen-minute window between day and night. On your wall, each one puts that pause on repeat, so the choice to stop is already made.
You can’t control the conditions you’re standing in. You can choose how present you are inside them.
8 PIECES · EDITIONS OF 10
CURIOUS CREATURES
05
Wild presence, unstaged.
Totally themselves.
For the person who does the work well, shows up, and is close to belonging but not quite there.
Eight portraits of wild animals: an echidna crossing a road, a kangaroo sharing the heat, a frog on a rock that looks built specifically for him. None of them are performing, and none ask anything of you but to look.
You can be exactly who you are, and still belong.
8 PIECES · EDITIONS OF 10
BORROWED HOURS
06
Portraits in borrowed time.
The minute that was mine.
For the person whose full life works, and who has no hour in it that feels like their own.
Four portraits made at the edge of something else: a wedding in Ireland, an Italian pond, a walk on a trip, a crowded island. They don’t ask you to leave your life, only to find yourself inside it.
You don’t have to leave your life to find a place of your own inside it.